Expression of Interest | Weaving Water 2025 residencies

In 2025 we are very excited to announce Treecreate will be facilitating three Weaving Water residencies.

Weaving Water @ online for World Water Week (25 to 29 August 2025). This virtual program will explore the waters of our local places and how they are impacted by human activity. We are very interested in regenerative projects and evolving transdisciplinary projects which explore dialogues between species and the waters (24 places).

Weaving Water @ Vanuatu (28 September to 2 October 2025) brings together Sandy Sur and the Leweton Cultural Experience with Treecreate and the evolving Weaving Water community. (10 places available).

Weaving Water @ Yarun 2025 (1 to 11 December 2025) explores the concepts of water, relational ways of being and connectivity. It is an in-person residency program scheduled between 1 to 11 December 2025 on Yarun (Bribie Island), Queensland Australia. (21 places available)

All of the residencies are open for applications and EoIs will be reviewed by a peer panel as we are anticipating many applications.

Building on the transformational Weaving Water @ Yarun residency in 2023, Weaving Water @ online, Weaving Water @ Vanuatu and Weaving Water @ Yarun 2025 will bring together scientists, knowledge holders, technologists and creatives to work collaboratively, with a focus on linking diverse knowledges to co-create across disciplines and meditate on the themes of climate change, ecological restoration, water and the more-than-human.

Costs

To register an Expression of Interest is $45 AUD. This is a non-refundable registration fee.

Expected costs of residencies (not including travel) :

  • Virtual program $ by donation
  • Vanuatu $1700 AUD
  • Yarun Bribie Island $2300

We are seeking funding support to cover these costs on behalf of participants.

As part of the EoI process we invite applicants to join one of our zoom community calls which where some of the finer details of the program are co-designed by the participants leading up to the residencies.


Expression of Interest

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Once you have submitted your EoI please submit payment for the registration fee by clicking below.

All funds raised from registrations supports the administration and management of the Weaving Water programs.

Bookbinding workshop at Treecreate Studio

Come join us on the 30th November at the Studio for a bookbinding workshop.

You will learn a number of techniques including the ancient art of coptic binding.

Register to join online.

All materials and morning tea included.

AI and environmental impacts

There is a lot of information emerging about the ethical and responsible use of artificial intelligence (AI), particularly in the fields of art, media and publishing. For example, spelling out the authorship responsibility, like this webpage about author submissions from the Emerald Group Publishing which has very clear guidelines about what AI can and cannot be used for in the writing process.

AI is already being used by students at all levels of education whether or not their educators support these tools. Many artists like Mez Breeze have already been on the bleeding edge of this mass proliferation of AI tools, exploring how they can be integrated into creative practice. Also, Treecreate partners Awhiworld are actively working to educate people about how to critically and creatively use AI in their work.

We recently leaned into AI for a logo design for Weaving Water, Treecreate’s primary ongoing project. And although relatively happy with the result we felt like it needed to be better woven into the story in several ways. The first way is the weaving together of imagery. The other aspect is the cognition that whenever we use AI and indeed whenever we use the internet via broadband and mobile networks there is an environmental cost. This is a subject we plan to explore in future posts.

The use of water to generate AI is an invisible cost which is having an impact on the availability of clean water, AI’s excessive water consumption threatens to drown out its environmental contributions. Gupta, Bosch and van Vliet (2024) comment that “initial research shows that AI has a significant water footprint. It uses water both for cooling the servers that power its computations and for producing the energy it consumes. As AI becomes more integrated into our societies, its water footprint will inevitably grow.”

They go on to say “the growth of ChatGPT and similar AI models has been hailed as “the new Google.” But while a single Google search requires half a millilitre of water in energy, ChatGPT consumes 500 millilitres of water for every five to 50 prompts. This is quite a significant difference and we wonder how other search engines such as Ecosia stack up in comparison? We can keep track of Treecreate’s AI usage at this point but what is the average searches people make in one day? 20? 50? 100?

We were curious about how AI sees its own consumption of water so we created in openart.ai images with the prompt “AI and its consumption of water in a decorative illustration” and was given these options.

Although these are interesting images, we were seeking some some of fantastical image of some sort of non-human being sucking up water. So we asked again, adding non-human to the prompt. Openart.ai responded by rewording my prompt to “(decorative illustration of AI as a non-human entity), ethereal and surreal design, (soft glowing lights) surrounding the figure, vibrant colours blending harmoniously, intricate water patterns flowing around, conveying a sense of consumption and interaction with water, dreamy atmosphere, high quality, (ultra-detailed) visuals that evoke curiosity and wonder, imaginative background elements that enhance the theme.

These images were created:

So the attempt to create a fantastical creature resulted in this image of a childlike female android! with Barbie-like breasts? Or is this how IA sees itself? I tried with another similar prompt and was given variations of these two images. The next prompt was “AI as a beast consuming water in an illustration” and this is what we got.

The reality is not so dreamy nor the consumption so elegant. While we spend hours perfecting our prompts to get the tools to give us what we see in our mind’s eye, AI is still a long way from becoming sentient. In the meantime, training AI is at a significant cost to environment and water.

AI uses and pollutes water through related hardware production. Producing the AI hardware involves resource-intensive mining for rare materials such as silicon, germanium, gallium, boron and phosphorous. Extracting these minerals has a significant impact on the environment and contributes to water pollution.

Kate Crawford says in Generative AI’s environmental costs are soaring — and mostly secret that “Generative AI systems need enormous amounts of fresh water to cool their processors and generate electricity. In West Des Moines, Iowa, a giant data-centre cluster serves OpenAI’s most advanced model, GPT-4. A lawsuit by local residents revealed that in July 2022, the month before OpenAI finished training the model, the cluster used about 6% of the district’s water. “

One of our key partners Awhiworld is doing significant work in the AI space and also looks at the broacher ethical issues. AwhiWorld recently faciliated a workshop on AI which was very insoghtful and they plan to run more AI education programs.

Shaolei Ren’s article How much water does AI consume? The public deserves to know explores the consumption of water and energy. Ren states that “While there have been efficiency gains elsewhere, the exponentially growing demand for AI has increased the water footprint. 

For example, driven partly by the growth in AI, Google’s scope-1 onsite water consumption in 2022 increased by 20% compared to 2021, and Microsoft saw a 34% increase over the same period. Most big tech water consumption for server cooling comes from potable sources. Here, the consumed water is actually evaporated and “lost” into the atmosphere. ” Although it appears reassuring that “big techs have started replenishing watersheds to offset their cooling water consumption and achieve “water positive by 2030” for their data centres ” it is not clear how this will happen.

In https://www.aquatechtrade.com/news/industrial-water/aws-water-positive-2030 , the commitment of Amazon Web Services (AWS) plans to be water positive by 2030 by returning more water to communities than it uses in its direct operations is discussed.

“In India, AWS will continue its support to WaterAid to complete projects in Hyderabad and Andhra Pradesh, where five piped water systems and new groundwater recharge projects have been completed.

While we are proud of the progress we have made, we know there is more we can do.

Meanwhile in the UK, AWS is working with The Rivers Trust and Action for the River Kennet to create two wetlands on a tributary of the River Thames.  The wetlands will recharge over 587 million litres of groundwater per year and improve water quality by receiving and treating polluted runoff from farms and roadways. “

At Treecreate we recognise the benefits of AI as tools to support our work and we do so with self awareness and the cognisance of how we ethically use these tools to augment our work. Our deliberate decision to use AI as a collaborator in the logo development for Weaving Water is with the awareness and recognition of the energy and water used to create the initial design. As with all our projects, the use of material and technology is considered in terms of its ecological footprint and use of resources.

Treecreate walkshop @ Pūkorokoro

Tracey will be leading a Treecreative walkshop in Aotearoa at the Pūkorokoro Miranda Shorebird Centre on 1 September 2024.

About the walkshop

A guided walk experiencing the sights and sounds of the environs incorporating visual arts activities. Slow down, pay attention to your surroundings, and take time to breathe.

The Treecreative Walkshop, led by Tracey Benson is a guided walk experiencing the sights and sounds of the environs. Participants are encouraged to express this experience via artistic medium at stop off points along the way. Mediums include drawing, writing and photography. Participants may also bring their preferred mediums (e.g. charcoal, pastels, paint).

What to Bring
Hat, sturdy walking shoes, water, favourite art materials

Link to event to book ticket

Living Data collaborations

Over the past week Tracey has been working with a key collaborator and Treecreate partner, Lisa Roberts who leads the Living Data initiative.

Here is a post from Weaving Water about their synergies and recent activities.

Wo(men) Mind the Water

It is really exciting to connect and build our community of organisational partners around the world.

Wo(men) Mind the Water is a unique storytelling platform that centres on the experiences of women who are intimately connected with water in their personal and professional lives. Through podcasts, videos, and multimedia art, the project captures the diverse ways in which women around the world interact with water—as guardians, advocates, artists, scientists, and everyday individuals whose lives are shaped by water’s presence and power.

Initially the project focused on the voices of women but over time there was a shift to recognise that every one of us has value and shares responsibility for this planet we inhabit together. Also there was a need to recognise that the world is a non-binary place and that the time has come for us to celebrate everyone who is working to safeguard our blue planet.

Read the blog on Weaving Water for more…

Finding ancestral threads of connection

As part of an ongoing collaboration and partnership with AwhiWorld, under the banner of Tasman Threads, Maggie Buxton and Tracey Benson share many synergies in their creative research, not least a commitment to transdisciplinary practice in its fullest expression as per Basarab Nicolescu’s 1994 Charter of Transdisciplinarity.

One of the core tenets of the Charter is that no form of knowledge is less than any other knowledge system, including the expression of the Sacred in all its forms. This notion of the Sacred is key to both Tracey’s and Maggie’s work and it is expressed through engaging with the more-than-human, the spirit of place and the realms of the ancestors.

What’s in a name

One of the interesting points of connection between Maggie and Tracey is a shared name – Buxton. This is Maggie’s patrilineal name and for Tracey, Buxton was her matrilineal great grandmother’s maiden name. Although these ancestors came from different regions in England, there are some commonalities which lead to the possibility of Maggie and Tracey being distantly related. Maggie’s father was a merchant seaman born in Liverpool and Tracey’s ancestors came from a village near Sheffield. In the middle of these ancestral places is the spa town of Buxton in Derbyshire.

Ancestral waters

Screenshot from https://www.buxtonwater.co.uk/

Upon discussing this creative research with one of Tracey’s PhD researchers, it was noted that Buxton was famous as a spa town in Derbyshire and located nearly halfway between Liverpool and Sheffield.

Screen shot of map - arrow pointing to Buxton

It seemed very resonant that Buxton was famous for its spring water, given the theme of the Tasman sea as both connector and water body is part of Treecreate’s and Awhiworld’s ongoing collaborative research.

Liverpool dowsing

As part of Tracey’s time in Liverpool, Maggie and Tracey decided to explore ways of communication to place through ancestors which explored telepathic communication and the use of dowsing with copper rods. They decided on a time when both go into a state of meditation and Tracey would walk down to the Albert Docks in Liverpool using the dowsing rods to detect any energies.

What was interesting was the very strong response to the area of Sailortown. The dowsing rods kept crossing, seemingly indicating this was a place of significance. When Tracey and Maggie shared their experience of the experiment, it was noteworthy that Maggie’s father was a merchant seaman and would have spent a lot of time around this part of Liverpool. Another area where there was a strong response from the rods was under a sign for a restaurant – Maggie Fu’s noodle house…

What happens next

Exploring ways of connection that do not rely upon zoom or other technological enabling platform is not a new idea. In fact, telepathy and similar means of communication are embedded in many different ancient knowledge systems, as this paper exploring Theories of Cognition and Consciousness in Ancient Indian Thought Systems Relate to Current Western Theorizing and Research discusses in detail. It is definitely an area of interest to Tracey’s creative research, in particular interspecies communications and the role of distance healing, an area she has explored as part of her Reiki practice.

Weaving Water @ Yarun 2025 | TransArt Institute

We are really excited to be hosting another Weaving Water residency on Yarun (Bribie Island) in May 2025 for the postgraduates and alumni at TransArt Institute.

Here is a short presentation for the participants shared at the Liverpool residency in July 2024.

Looking forward with working with our colleagues at TransArt to make this an amazing experience. Here is some information on the TransArt Institute website: https://www.transartinstitute.org/residency-202425-weaving-water-aus

Transdisciplinary Threads

Transdisciplinary Threads is an international network bringing together diverse perspectives to explore the intricate connections between spirit, the human and more-than-human, places, disciplines, culture, the arts, technology and practice.

Founded by Dr Maggie Buxton (AwhiWorld) and Dr Tracey M Benson (Treecreate) with an aim to deepen understanding and find creative solutions which honour the weaving together of knowledges and perspectives.

Find out more information about this new initiative.